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a while back i had the opportunity to photograph a very popular American Idol for that campaign that launches this fall. well, he’s decided to use one of the behind-the-scenes images from that session as the placeholder on his website.

he wanted a design that really captured his laid back, new hippie persona. i think Kevin’s design smashed it out of the park; setting the whole thing in a weathered vinyl record sleeve was pure genius.
give the link above a click and get a better look and, hey, if you’re a fan sign up for his mailing list.

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more about “TAYLOR SWIFT: TEARDROPS ON MY GUITAR“, posted with vodpod

Tom Waits is a mechanic. His work comprises of flawless production values mapped together by a solid emotional presence and a lyrical understanding of the world. However, where many discuss Swordfishtrombones (1983) as a turning point in the character of the musician, it is hard to escape that he has always upheld a moralistic approach when it came to the roots of every note in every track on every album. With direct detail, 1975’s Nighthawks at the Diner is a pitch-perfect portrait of the Jazz bar caricature that had been painted for him with previous albums Closing Time (1973) and Heart of the Saturday Night (1974). With 1992’s Bone Machine, Waits’ has successfully developed his sound that challenges the pre-conceptions that lie within the contemporary view of blues and faith-based folk music.
 
As every written word about the album would tell you, Bone Machine was conceived in a concrete basement. [...]

This is the truth.

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more about “Plain White T’s - Hey There Delilah“, posted with vodpod

Format: DVCPRO HD / Panasonic HVX200 & SD9
Länge: 4:21 Minuten
Regie: Sven Sindt und Dominic Bünning
Kamera: Barne Peters
Fotos: Sven Sindt
Schnitt: Dominic Bünning
Licht: Kai Küper
Produktion: upfront